Loss of my father [Parma, 2022]

With sadness we announce the passing of my father, who departed this life on Wednesday 13th April 2022, during the Holy week. This article is in his loving memory

Maurizio Arvasi (Parma, 21/05/1950- 13/04/2022)

“Then the other disciple who had reached the tomb first also went inside, and he saw and believed. They still did not understand the Scripture indicating that he must rise from the dead” – John 20: 8

Even during a funeral, nobody really wants to hear talking about death. We are sick and tired of talking about death and the bad, as this appears daily on the tv and in the newspapers. There are battles going on all across the world but we also experience them on our personal journey. There are people we know and love who are dying for many reasons and yet we struggle to accept human suffering and death. 

I am Christian, even although I have doubts in my faith. However, even as a Christian, I can’t perceive pain as a blessing, I rather see it as a curse. Having seen my father recently pass away, following a short but very harsh fight against cancer, I am sure that there is no logical reason nor a rational explanation behind and beyond human pain and suffering. What we can do, is somehow justify or accept pain and death through love. We can live it to the end, being unable to get any answers to our questions.

God is not acting like we would, but it is also true that: “For my thoughts are not your thoughts, nor are your ways my ways, says the Lord” – Isaiah 55: 8.

Death and by extension the evil cannot “imprison” God. I believe that God is present amongst us. He exists and is working silently, under all circumstances. My family and I, we experienced a sort of “caring comfort” continuously, during the illness of my father as we experienced a serie of “favorable circumstances”. We had the impression that “an invisible hand” was, somehow, holding us and leading us through it. Throughout the dark time of his illness and also after he died, we have been literally surrounded and constantly supported by the presence and affection of friends, family, acquaintances. We have been lifted up in a way that we would have never imagine. This let us feel loved and gave us mental strenght.

“I, the Lord, have called you for a righteous purpose, I have taken you by the hand” – Isaiah 42: 6

I took the below above the day before dad passed. It is a meaningful memory to me, as it remembers how our Heavenly Father holds our hands, as we walk through an hard time.

I have seen my father suffering from a string of physical illnesses throughout his life. This was accompanied by a long period of depression, that began when I was a teenager. It wasn’t unusual for us to see him struggle emotionally or to accompany him to medical check-ups or to follow-up appointments. Over the years, he underwent through several surgical procedures. But he always fought hard and bounced back, in his weaknesses he was brave, and firm in persevering and in respecting the life he had been given.

In spring 2021 he showed mild signs of feeling unwell. The main and only symptom was, for months, an uncomfortable diarrhoea. By autumn he had lost weight but was still active and engaged in his activities.

In the beginning of January 2022, when I saw him, days after his mother (my granny) had passed, I had to admit to myself that something bad was ongoing, under the surface. He had lost his appetite and the weight’s lost was now worrisome.

On 21st January he had an emergency chest MRI. I should have flown to Edinburgh on 22nd January but, due to a prolonged bronchitis (providential plan of Fate!), I was forced to stay in Parma until early February. On 30th January we got the results and that’s when the world shuttered down for us. The diagnosis was overwhelmingly grim: stage 4 of gastro-esophageal cancer. As of today, I clearly remember how my father rolled his eyes when he heard it was a tumour.

A wicked waiting game started, as I moved back to Edin: I was unaware how the events would unfold and when the worst could happen. The phone calls to my parents became a daily routine and the prayers were incessant. So MANY people prayed over Maurizio. He was supposed to enter in the hospital on 12th March to start a chemotherapy cycle, but he caught Covid. Two nurses were coming at home a couple of times a week to administer medication. My mother, as a form of self-defence, was wrapped up in a denial phase, and was acting like dad had a flue.

On 30 March, turning point date, he was admitted to hospital. That day, after speaking with my team leader, I booked flight return tickets for 8th of April. During his first week in hospital, he still sounded responsive on the phone, with his beautiful sense of humour and his warm voice. Then I heard him fading away and I really felt out of control.

Back home, it was time to see him. Covid procedures were still in place at the hospital, so my mother sent me in her place, as it was only possible to enter the ward every other day, for 1 hour, 1 person at a time. I saw my father twice before he died, on the 10th and on the 12th of April, 1 hour each time.

These visits were special times that I will cherish forever. I remember the look on his face, the amazement when he saw me enter his room, dressed up in Covid’s protective clothing, saying and repeating: “What a lovely surprise you’ve given me, what a lovely surprise!”. I had time to hold him tight and to tell him that we loved him the way he was and that he was part of a project of love.

On 13 April, I was at home with my mother. In the afternoon we had had a friends’ visit and in the evening, we would have dinner with my father’s cousins (they were going to pick us up by car). At around 6:10 p.m., we received a call from the hospital. A doctor informed us: “Maurizio’s condition has worsened. We ask you to come here as soon as possible, in order to discuss the situation”. I remember well the shock that ran down my spine. I tried not to think and silently prayed to God: ‘I know that You are there.’ You are there for us, You are here, among us.

The rest is history: my cousins literally flew to our house and accompanied us to the hospital, where the doctor told us that my father had passed away shortly before, around 5 p.m. His heart had given out in his sleep. I can’t remember exactly what I felt at that moment, perhaps on the one hand I felt lost, on the other relieved, because his situation had become unbearable. In his last days, dad was pumped of morphine (he told me he couldn’t feel anything inside his body). He was lucid until the very end, but he was bedridden, his body was unrecognisable and was attached to a multitude of tubes.

In the aftermath of his death, my mother and myself, we did not feel alone, we pretty much felt part of a community (of friends, family, believers) who was there not only to support us but also to celebrate my father’s life.

His tumor taught me a lot about trust and resilience. I discovered a strength and an agency I could not imagine to have. I have seen the light shining through the cracks.

Jesus never sugar-coated what this life would be for us. He was honest, in fact he told us that we would face many obstacles and trials. Our bodies fail us, relationships fails us, our well-made plans too, but there is One that won’t. What I have learn so far from this very painful experience, is that “bad” and “good” are linked together in a mysterious, invisible way. Just after the struggle. comes the peace.

We have been redeemed. Humanity has been redeemed by His sacrifice, over and over again. And even when darkness seems to prevail, it won’t. Life beats death, death must not have the last word over life : this is the Easter message. Christ’s risen!

We wish you to be in peace, papà. We are grateful that you know now the perfect love, as you are close to Him, and part of His love. A piece of yourself lives in us. We love you and we are proud of you. Ciao, Capitano!

An abrupt start for 2022

This life frame is crazy. 2022 started abruptly. Just about everything has been turned upside down. The last 4 weeks have been a rainfall of positive & negative events falling one after the other, in a rapid succession. 

On January 4th when my 90 years old granny suddenly passed away for a massive heart attack. I flew back to Italy on January 7th but just missed her funeral by a few hours. I had already booked my tickets for those dates in early December, when we were unaware of everything. Was it destiny? I don’t think so. I have spent most of the time with my family, and catching up with a few friends. It was heart-warming and sad at the same time. Dad’s health is now giving us cause for serious concern.

I got the chance to pose as a model for a talented friend (a photographer who I consider to be a sort of an “Edgar Allan Poe of the camera”) Stefano Cavazzini. With my immense pleasure, he has already forwarded some early shots to me and I am in love with them! The day after I caught acute bronchitis and, because of that, I had to cancel my flight back to the UK. That is the first time in my life I have had to cancel a flight because of sickness.

In the meantime, a couple of my recent pics were published in PhotoVogue (this is always good for my self-esteem and provides a great and remarkable encouragement to keep on with my photography)!

I have felt lonely, worried, angry, uplifted, hopeful, rational & irrational, passive & pro-active, lost and so much loved. Things are changing quickly, this is a fact, and whilst one side of me looks forward to this, the other part is scared. As somebody told me a long time ago: “Only from time of crisis we can expect good things to come out”.

A summing-up of 2021

During these last few hours of 2021, I am trying to take stock of this year, which started in a tortuous way and ended pretty much straight! Unlike 2020 (which was dominated by fear and stagnation), 2021 was more than a positive year that helped me experiment and to widen my horizons! It was a period of recovery, but not only that.

I tried several new things: it was a year marked by friendships; I opened up (for the first time in my life!) to online dating; I reopened a blog (after a 6 years hiatus); I went back to film photography (whoop whoop!); I planned to move to a new country. Throughout the year I gained more self-consciousness and these past 12 months encouraged me to trust my intuitions! On the professional side it was hectic as I struggled to focus on tasks and prioritize my work. Sometimes time passed quickly and at other times slowly.

My HOPE for 2022 is to be more structured in pursuit of my personal life, work & hobby.

Best Wishes to my family and all my friends!!

Elena seen by ph. Jo Tennant [Edinburgh, 2021]

I recently had portraits taken of…me! This is the story. I wanted to frame a nice picture of me for my dad’s birthday, so I contacted Portobello based photographer Jo Tennant. From time to time I enjoy modeling: yes, I have a “peacock side”! When it comes to portraiture I am also very curious to observe other photographer’s working (especially if they are Professionals). Posing for Jo was good fun: she is 100% approachable & while we were working, we chatted all the time of the shoot!! I really felt comfortable and I am really happy to praise her work & artistic talent with this post. When I received the pictures I was blown away!! They are how I wanted them to be: spontaneous, gorgeous shots, filled with mesmerizing colour and with the a beautiful golden hour lighting!

Please find her website here: https://www.20.photos/

To do or not to do? [Edinburgh, 2021]

One of my weakest points is not being constant, not producing articles or taking photo shoots regularly. I would like to write more often and on a regular basis. There are periods where my brain is filled with ideas and I readily jump into action whilst other times I am almost drained of initiative. I have always been ashamed of this side of my personality. I should push myself more forcefully (I can be lazy!) but sometimes I just lack the impetus. Over the past few years I brainstormed a lot about my Facebook page (and I also asked advice from my friends): how to direct it, what topics to publish, what could be perceived as more interesting but at the same time would also catch my interest and any others who follow me.

At the moment I have a sort of a mental block but I am sure it is only temporary! Generally speaking, I would say that variety is important, like talking about my photographic journey, my shots, other photographers’ portfolios & experiences, new ideas & trends, maybe equipments…but always about photography!

If you have nothing interesting to say, it is better to be quiet for a while but that’s not an original thought!!

Elena>Campbell, a video interview [Scotland, 2021]

Freak-out moment, this is an interview-share!! I needed a tandem, somebody to back me up in this project and Campbell accepted to be part of the game. I wanted to make a small video where I was saying something about my photography but I was not brave enough to do it by myself. So I asked him if he would like to be involved in a few questions between amateur photographers, a sort of “Ask anything of” about our approach to photography.

I was curious and wanted to have a try: I did not know whether the video format would be suitable for me. So Campbell and I (we are both shy!), decided to display an insane self-confidence and put ourselves in this teaser, asking each other a couple of questions, after studying each other’s portfolio.

Now there is some excitement in the air : have we done something meaningful? Is my English good enough ?! What we know at this stage is that it was a formative experience for both of us. We have encouraged each other to prepare this mini-interview and also to think about our answers. It was a challenge to step up to the “battle field”, without any serious expertise, talking, being ourselves, eventually preparing to receive some feedback and still trying to enjoy the process.

A few words about Campbell Montgomery:

Apart from being my “partner in crime” in this project, Campbell is the brother of one of my best friends. I met him through her a couple of years ago. He is a young man and a passionate amateur photographer. If you visit his website : you will realise his raw artistic talent. He focuses on landscapes, nature and abandoned places. I find that his images are really classy and elegant and pick up the details in an exquisite way.

Anne Geddes [article written in 2021]

When I was at school there were so many diaries, pencil cases and notebooks with the beautiful, peaceful, dreamy images of children by Anne Geddes. For me she has always been a sort of magician, with a secret aurea surrounding her and her work. The type and quality of pictures she took are awesome, even although I prefer a more natural approach. I always wondered how she managed to work with very young children. I have had only 4 or 5 shoots with newborns and every time it was extremely challenging.

The cover of the issue of L’Uomo Vogue of February is of Anne Geddes. Feel free to browse through their website to check it:

https://www.vogue.it/moda/article/luomo-febbraio-cover-ann-geddes?fbclid=IwY2xjawMJPHFleHRuA2FlbQIxMABicmlkETA3Y3B5OXZUZEZRaTdqbVc2AR7aZ0v_pfGW9naVFnArmIqU1Y-Yuy85kf-tewJy8BR2n7UbQM8V2f5Q03l5Dg_aem_Hlg_9Nu93FbeGl0fO9a00g

Below, an interesting interview to the photographer:

Martine Franck (Madame Henri Cartier-Bresson), and why I prefer her work to her husbands! [article written in 2021]

I can’t remember how I discovered the portfolio of Martine Franck (1938-2012). It was 5 or 6 years ago and it immediately captured my attention. She is now one of my favourite photographers. I feel close to her sensibility & approach to photography and also, I identify myself through her interpretation and methods of photographing people.

She was born in Antwerp in a wealthy family (her father was a banker and an art collector) and grew up between the UK and the USA. She flew back to Europe after the war and studied Arts in Madrid and Paris. She was a passionate traveller and started taking pictures in the ’60s, with her Leica, when she was exploring the Far East. Her favorite subjects were travel shots, artists’ portraits and street photography. After settling in France in 1964, she worked as assistant for photographers such as Eliot Elisofon and Gjon Mili before becoming herself a freelancer. She collaborated with famous magazines (Vogue, Life, Sports Illustrated) as well a Théâtre du Soleil. In 1966 she met Henri Cartier-Bresson whom she married in 1970, they had a daughter, Mélanie, a few years later. In 1980 Martine joined the Magnum Agency. She carefully documented the “human condition” of her times and was an active reporter in capturing social issues.

In her images there is a search for a human touch and shows an empathetic attitude in observing other human beings. I guess that photography was her passion but it probably was also a service that she was performing for the community. In her reportages, she was passionate, committed and curious, in a honest, brave, spontaneous and intense way.

I admire her as a woman and as a photographer. She was socially involved, and put the heart in what she was doing. In her photos I see a hint of curiosity, spontaneity, coolness with a touch of geniality, but also affection. She must have had a warm hearted side and she capable to love people, to be “close” to people. Something that was not shared by her husband, even though he was technically exemplary!

2020, the end of a decade and the beginning of a new one

2020 has undoubtedly been a ghastly and exhausting year and has felt as if it would never end. We have lived through what we could have never imagined as possible. Considering how events were progressing, on more occasions I feared that the “very worst” might happen but actually it never arrived. My family and the people I love are still here. I have been facing my fears, some doubts and decisions-to-be-made about my future and have reviewed a couple of relationships.

On the other hand, if this year has sounded slow, almost frozen, the entire decade has really flown by and a new one is about to start. So much has happened during the past 10 years: from being a student I became a professional, I had the opportunity to live in and discover different countries, I have met so many people and this has impacted on my life as a blessing. I have become more self-conscious, somehow some part of me has changed and my way of thinking is slightly different. My photography has evolved quite a lot in interesting ways.

I would describe my “2010 > 2020 phase” as psychologically tough, self-inquisitive, challenging, adventurous, idealistic, passionate, restless, fast. It was a stage of life that I needed to go through and I did it.

What do I hope and expect now for the next decade? Less moving around and to settle down!

P.S. I can reassure you that the picture is not a photo-montage😅, I really was in the garden. It was just taken with a very shallow depth of field!

Eudora Welty [article written in 2020]

Eudora Welty was born in Jackson, Mississippi, in 1909 and there she died, almost a century later, in 2001. She was a writer and a photographer. Her father, an amateur photographer, passed on the camera’s passion to her, and Eudora started taking pictures in the late 1920s. A relatively prolific writer, she published short stories and novels for various magazines and she worked also as an advertising agent and a radio operator.

In my utter ignorance, I didn’t know her at all. I didn’t even know that she had won the Pulitzer Prize in 1973 for her novel “The Optimist’s Daughter”. I discovered her portfolio recently, whilst I was doing some research on Afro-American portraiture in deep South, and I bought a book with her photos (see photo below). At first glance her photos made quite an impression on me: I was struck by the spontaneity and the unconventional situations she managed to capture. However, on a second viewing, I noticed a certain lack of technicalities in lighting, composition and framing.

She had a streak of genius and the sacred fire of art was within her. I wonder whether she considered herself a real photographer. As Aries, she was tenacious and did not lack in courage. In fact she was a rebel and a pioneer, for the type of photos that she took and for the subjects that she chose: mainly people of color and the poor classes around the Great Depression (30s), through to the 60s. Taking the camera in her hands allowed her to document the struggles and aspirations of the under-classes that were invisible and ignored. I don’t believe she had a constant self-confidence, even though probably she didn’t let others know this. But at the same time, I don’t think that she really cared what other people thought about her and her work.

Well done, Eudora, your qualities are an example to us all!

Handling criticism [Edinburgh, 2020]

I feel a bit uncomfortable to acknowledge this but…very often I take things on the personal side (yes, I am touchy!!). Accepting and handling criticism is a big challenge for me. This is applicable to my photographic experience as well as to my life’s journey.

I am here now thanks to a lot of hidden work that happened “behind the scenes”. We become who we are and we eventually succeed although other people won’t be able to see what has led to our present circumstances. Criticism does not necessarely need to be negative and positive criticism is an essential tool to allow us to challenge and improve ourselves. Even if it is “negative”, you can use it to achieve positive results.

I believe that criticism depends a lot on “Who”, “How” and “Why” it is made and if you want to receive it. How do you perceive the critic? Is he/she respected in the field of knowledge or just a “loud mouth”? What does this person represent to you? Is there an emotional bond between giver and receiver? In the end is criticism subjective or objective or both?

In my life I have received the “best “critics from people who loved me but sometimes also from those with whom I had little or no connection. I understood that in the end, they weren’t polemical notes against me, as they allowed me later to move forward. I think that a serious critic should have an in-depth knowledge of the topic or object under discussion and an honest attitude towards you. We all make mistakes but we should be self-aware enough to recognise them and turn them into strengths and a learnt experience.

Ru & Ian, your garden is stunning! P. s. Thank you Fra for this lovely shot!

A “Thank-you” letter to the Queen, with a reply [2020]

The Queen has a passion for photography and she has played a huge role in the contemporary history of this country but it is not just that…She has set the bar high, providing us with an example of a life grounded in a sense of responsible duty, free from selfishness. I have always wondered how she made it through several decades, being so stable and dutiful. I admire and respect her deeply, both on the professional and personal side.

In springtime I sent her a short Thank-you letter, saying how much I appreciated her for being a good example to others and for applying constantly a strong sense of justice, dignity, discipline and search for truth. And last month I was surprised and delighted that I got a response!! I am happy to display the letter here…God save the Queen!!

Interview to William Martinez Bosch [2020]

I believe that art reaches our sensibilities and can touch invisible strings in our soul. So many people have an artistic vein and many are not fully aware of it! I met William Martinez Bosch (see the beautiful model in the previous post!), through work, a couple of years ago. After following him on Instagram, I was delighted to discover and admire his travel and street photography shots. I find he is incredibly talented! I like the sense of geometry, shapes and curves that you can find in his images. I decided to ask him a few questions about his personal and photographic journey, as an amateur, and he kindly accepted!

William has two Instagram accounts, you can find the first one by clicking here whilst the second one is there!

– Tell me a bit about yourself and your story…

I grew up and lived most of my life in the Netherlands. Lost my father after I turned 18 which brought the family closer together and since I came out to my family during this time as well, I started becoming my own person more and more. After high school I started studying law but gave that up very quickly because I didn’t feel like I belonged there. I ended up doing a degree in North American Studies for which I spent some time in New Orleans. That was the first time I was away from my family for an extended period, and it allowed me to gain a greater understanding of the world. After my return, the feeling I’ve always had of not belonging in the Netherlands grew stronger and upon finishing my degree I started looking for another master’s degree abroad. After almost a year of deciding where to go and withdrawing my enrolments from Universities in the US and Australia, I was made aware of Edinburgh by a friend whom I met during my time in New Orleans. I decided to apply here and was accepted. I always feel that though my first degree didn’t provide me with excellent job opportunities, it did lead me to where I am now, and I am very happy it did.

– When and how did you take up photography?

I can’t really tell you the moment I took up photography as I always had an interest in it. As soon as smartphones started to have decent cameras, I played around with it. I didn’t have a proper camera till I turned 25 which I first used it on my travels through the United States. It was after this that I actively started to take photograph and develop my Instagram.

– From your portfolio, I can see mainly travel, street photography and architectural images: do you have any preference?

I don’t really have a preference as it often depends on the situation, I find myself in and the mood. Photography, for me, is very instinctive, you could say. It has to feel right for me. Especially when it comes to my Instagram account, the decision to upload a picture is based on how much I feel the photo matches the aesthetic of the rest of my portfolio. If I had to pick one, I would go for street photography because I really love candid and unposed photos. Relying on the moment and the photographer’s ability to capture it.

– Do you prefer using your mobile or camera?

For convenience’s sake I’ll have to say mobile. Capturing photos, editing, and posting can all be done on the same device which makes it very useful when you’re out and about and you want to share it straight away. Quality wise, though my iPhone does have a very good camera, I have to go with a proper camera.

– You have a strong sense for geometric shapes and form. Have you previously studied art or architecture?

I can’t say I properly studied art or architecture, but in high school I did study art and art history was part of that. Despite that, I was never really good at drawing or painting realism. I often reverted to the abstract which included geometric shapes. Architecture would have been my other choice of degree if I didn’t pursue my current one. Ever since I was a little kid, I used to draw houses and was interested in architecture so I guess you can see that come back in my photography.

– What does photography mean to you?

For me it is a form of artistic expression that enables me to portray objects/people/scenery in a different light. It also allows the viewer to stop and take in/appreciate the beauty of things.

– Do you think you manage to express a part of yourself through your shots?

Not sure about this one. I don’t really feel that I’ve found my true self in photography yet. I feel that I’m still figuring out what it is that makes my photographs inherently me or what makers my photographs stand out. I also believe that I need to delve into photography more. Read and study about it and take up some photography courses as soon as life returns back to normal.

Explaining to myself the concept of Fine Art Photography [2020]

It took me a while to discover the meaning of Fine Art Photography. Fine Art Photography is generally described as relating to the intent of the photographer since the photographer is using photography as a medium for a creative expression. The goal of fine art photography is therefore to express an idea, a message, or an emotion in an incisive way.

I agree with this and I like the idea behind Fine Art Photography. It is also an interpretation of our society, people, and the situations in which they find themselves. I firmly believe that Fine Art must be intended as “good quality” photography that is equally a question of taste, sensibility, a combination of elements, colors and feelings.

For me these two portraits fit well with the above description, They were taken at different times (in 2013 and in 2020), places (in London and Parma) and by the hands of different photographers (Matthew Bishop Photography and Maria Buttafoco). When I look at them, I feel rather proud to be the subject of a classy, beautifully colour-balanced and tasty composition but it is not just that. To me they bring memories of two different stages of my life that were meaningful and it is the personal factor that, for me, is vital in photography.

I gather that photography after all, as all the arts, is subjective.