Angela [Breda Cisoni, 2015]

I had almost forgotten these shots of my aunt taken at her home. At the time I used to compulsively browse on the internet and when I saw whatever I thought would be appropriate for a photoshoot or would inspire me, I would buy it. I had put my hands on this black velvet hat, which reminded me of the Amish. My Aunt Angela had beautiful eyes and a wrinkled skin. That day (we were at hers for lunch) I had asked her to pose for me, for a couple of quick shots. Overcoming her usual shyness, she had accepted to play the role and this is the memory we have.

Anna [Parma, 2015]

The concept behind Anna’s shoot was to revive a character from a Charles Dickens story, even though, in the end, we passed on to an interpretation of autumn! I was delighted to work with Anna in the studio (I have known her since primary school!) : she is an imaginative person who has emotional richness. She is also a polished, versatile and cooperative model. One of her pictures was selected by PhotoVogue.

Elena seen by Corrado Sacchi [Firenze, 2015]

I love Corrado’s approach to photography and his pictures. I also like to pose for him. Don’t ask me what the theme of this session was because he’ll tell you! I have fond impressions of this experience in his studio and I also believe that, posing in a loose way, can benefit us women at a young or more mature age.

Edda’s place [Parma, 2015]

My paternal grandmother had an artistic streak. She wasn’t ware of it but I was. Even though she never fulfilled it, this would pop out, from time to time. One of her passions was going to the cinema (where she would cry if the movie was moving or captivating), she was a narrator (actually she was a chatterbox!) and she also knew how “to play the part” that suited her best. I would often go at her’s for a coffee and a chat and now that she is gone, I am glad to have photographed her several times and also details of her flat, from which a piece of her soul emerges.